![game of thrones beyond the wall springfield transcript game of thrones beyond the wall springfield transcript](https://i.ytimg.com/vi/Vuq_9BmmSA8/maxresdefault.jpg)
Prove yourself a worthy ruler and lead your reign to glory. in the Stone Age with little more than a few tents, it is your task to show your online strategy game skills and develop your city through the ages of history in this browser based empire game. As a chieftain who founds his settlement anno 5000 B.C. Good strategy online games are what Forge of Empires stands for. The writers’ lapse doesn’t, and shouldn’t, inhibit our appreciation for all the other extraordinary work that’s gone into this show’s production.Forge of Empires Forge of Empires – An Online Strategy Game playable in your browser! Viewers will keep watching, though, because to watch it isn’t essential to think. Undoubtedly, it will conclude as outrageously as it was conceived. I don’t have much interest in how the wight kidnapping storyline wraps up. Either way, Winterfell definitely looks like the most interesting place to be in the season finale next week. It’s likely he tricked Sansa into sending Brienne away and thinking it was her own idea. It’s up in the air who’s got the upper hand right now, but I suspect it’s Littlefinger.
![game of thrones beyond the wall springfield transcript game of thrones beyond the wall springfield transcript](https://imgix.bustle.com/elite-daily/2017/08/20135644/sansa-arya-733.jpg)
Despite the psychotic, aberrant dialogue written for Arya, this was an interesting episode for Sansa and Littlefinger. Their absurdity simply cannot be accounted for.ĭown south in Winterfell, we find our one worthwhile storyline. I won’t try to examine what happened in the polar bear attack, or Jon and Daenerys’ conversation on the boat. He tells Jon that there’s “not enough time” for him to stay on the horse with Jon, but the wights are so far away he has to stand round waiting for them to come to him. The purpose of Benjen’s suicide is unclear. When Jon needs a horse, Benjen suddenly appears and decides to commit suicide so Jon can use his horse. Viewers learned from Jaime Lannister, however, that that is no problem. The dragons leave Jon behind, sinking into the icy water in layers and layers of drenched furs. Why does he aim it at Viserion when Drogon, carrying all our protagonists, is a far closer, larger, and immobile target? And why, when Viserion falls, does Daenerys look like she’s restraining a smile? Why does she smirk when watching Jon drown? This is, sadly, when suspension of disbelief is broken and never returns. The Night King presents another potential threat when he draws an ice spear. Instead, magic extras materialise at various points to die on screen to create a semblance of danger. Before this, six characters are surrounded and attacked by an undead army, and none of them are hurt. It is only five minutes into the following skirmish before dragons ex machina arrive to save the day. They only notice that the water has indeed frozen back over when the Hound skids a pebble across it. The plot hinged on the wights waiting at least a whole day (as long as it takes for Gendry to marathon his way through the snow back to Eastwatch, for a raven to fly across an entire continent, and for dragons to fly across that continent again to find Jon and company beyond the Wall) for holes in a frozen lake to freeze back over.
![game of thrones beyond the wall springfield transcript game of thrones beyond the wall springfield transcript](https://i.ytimg.com/vi/sLEAVd00GfU/maxresdefault.jpg)
It’s unfortunate that the scene’s basis was nonsensical. Dragons fought off an army of wights, fire blasted a frozen lake, and Viserion was struck down by an ice spear. The climactic scene is one of the most visually stunning in television history. The work of these creative teams are as commendable as that of writers’ when they produce exceptional material, so I still admire the episode in many ways. Television is a visual experience, so a show isn’t just the creation of its writers.Īs a showpiece for visual effects, special effects, set design, fight choreography, makeup, and costume design, it’s in top form. Despite that, Season Seven’s penultimate episode is still an exceptional spectacle. Narrative integrity has now fully departed. I predicted that ‘Beyond the Wall’ would turn things around from the failings of ‘Eastwatch’. Last week, I expressed uneasiness that the writers were lending themselves to plot inconsistencies and erasure of realism within their world. The show runners didn’t drop the ball here, they buried it. HBO may be producing another season of budget-busting fan fiction, but their plot has become too ludicrous to take seriously any longer. After seven years of unsparing violence, Machiavellian intrigue, and perspicacious dialogue, tonight we finally got it - the end of Game of Thrones, in the form of ‘Beyond the Wall’.